When I placed a fern over the the dry paint on the plexiglass of the monoprint, “Ferns and Fiddle Heads,” the pre-soaked paper remained white underneath after being pressed onto it. When the poured watercolours and inks were wet, as in, “Tinted with Gold,” the ferns left an impression on the paper when the colours ran underneath.
Ferns and Fiddleheads
